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especialy if Dave decides to make that sample oscillator hybrid I've been rambling about for some time now. a little room left for a few more synths, as Dave decides to tempt my GAS. I have to take care, that my setup does not get too big. My setup will be limited to 8 stereo polysynths, mainly because I really don't need more when I can layer record those 8 synths as many times as I want. I know that Pro2 technically is not a poly-synth, but paraphonic gets close enough for me, especialy because each oscillator has it's own AMP envelope. but I want it to be a hybrid, not a 100% digital synth. I hope to see some sort of sampler hybrid synth someday from DSI to add to that list, because my setup is in need of a sampler. DSI - Prophet 6 Module/keys (don't know which yet) So my synth lineup (now and future) will look like this:ДҐ. This actualy leaves me with only DSI instruments currently, exept for my Yamaha EX5, which I still use as a master keyboard, but it'll eventualy go as well, as I want only analog/hybrid polysynths in my setup from now on. also my Waldorf Microwave are going, simply because I'm tired of older quirky synths. this means that my Waldorf Pulse, Pulse2 and MOOG Slim Phatty are going.

I'm selling my monophonic synths because I really need more polyphonic ones instead. The synths I'm using (and going to get) is changing at the moment. an ocational EQ'ing may happen, but other than that, nothing else. SONAR only handles the recording, much like a harddisk recorder would.

with this setup, I'm pretty darn well covered with FX, and can choose them individualy for each synth as I see fit, because I record in layers, with FX included. this FX box is currently a Lexicon MX400, but I'll replace this with a Lexicon PCM92. When the stereo mix is in the coputer, it goes thru the E-MU's FX blocks which is rather flexible, and here I can route the signal digitaly out to an FX machine, and back. I don't need fancy EQ, AUX or the like for this, just a simple mix because all EQ/FX will be handled inside the computer. I'll be getting a compact 8-stereo channel rack-mixer to get all sound sources mixed down to a single stereo output for recording in SONAR thru my E-MU 1212m soundcard. preset browsing and editing was done using my trusted old SoundDiver program with editors for all my synths.Д«ut recently I've started harddisk recording instead, and changed to a more ambient styles of music, so my synth needs has changed a little, and so has my setup, and thus I cannot give a finished picture of how my setup will look, but I have a pretty good estimate: Two MX400's for delay and reverb on a pair of AUX sends. all synths connected to an analog mixer's channels. in the past I had all my synths connected via a MIDI interface to my computer running SONAR, and played/recorded them via MIDI only. I'm actualy in the process of changing my setup.

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The current Logic Pro X on my '14 MacBook Pro 15'.

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Crystal clear and finely detailed sound, with very clean and full bass. Picked them out from a selection of 6 different brands at the music store after hours of comparisons.

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Quite flexible send/return and group routing, which is why I still don't need a patch bay.

Phonic Helix Board 18, with 14 instrument inputs, which can be individually transmitted via USB/FireWire in addition to the main stereo mix.

Adding it to almost any sound results in a marked improvement. The classic effects! Both handle all kinds of signals very well.

Electro-Harmonix Electric Mistress flanger and nano Small Stone phaser.

Very nice and 'vintage' delay sound, but distorts easily on typical line levels. Used almost exclusively its reverb algorithms.

Lexicon MX300 stereo multi-effect processor.

Very nice sound and very fun to program with its innovative multi-touch interface.

KORG Volca Beats, with the infamous snare fix.

Only 100 ROM samples, but the sequencer is a dream to program and it doesn't sound too bad.

And my own 'prototype' synthesizer, which I designed and built as a University project.

Very fun to play around with, has a lot of character also nice to shape an external input with.

Roland D-50, for any quick 'traditional' or sample-based sounds and those exceptional textures.

Can't beat those realistic percussive sounds!

Yamaha DX7 MK II FD, with the Grey Matter E! extension.

Still good for having fun with the arpeggiator and outlandish sounds.

KORG microKORG, my first entry into electronic music.

Instead of trying to piece together a whole picture from posts about individual instruments/gear, why not have a topic dedicated to this? I'm always interested to see and learn from other people's music setup and their reasoning behind it.

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